By Norman Ravvin
Targeting the best way Jewish historical past - relatively the Holocaust - and culture tell postwar Canadian and American Jewish literature, this article deals readings of the works of influential writers resembling Saul Bellow, Leonard Cohen, Eli Mandel, Mordecai Richler, Chava Rosenfarb, Philip Roth and Nathaneal West. Norman Ravvin highlights the troubles that those disparate writers proportion as Jewish writers in addition to areas their paintings within the context of the wider traditions of mulitculturalism, postcolonial writing, and demanding idea.
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Additional resources for A House of Words: Jewish Writing, Identity, and Memory
I thought so, I thought so. - You noticed him, too, didn't you, F.? - Yes. (177) Soderlind is even more careful than Hutcheon to avoid invoking this interchange. She transcribes Edith's well-known utterance after the scene with Hitler, which, when translated from Greek, means "I am Isis, born of all things, both what is and what shall be, and no mortal has ever lifted my robe" (Soderlind 66). Edith's sudden transformation into a figure embodying both Isis and Catherine Tekakwitha is often seen as the novel's climactic sign that magic is afoot, that an alternative ontology is being affirmed.
Quoting from Chaim Kaplan's Warsaw diary, Richler makes clear his agreement with the author's vehement, unforgiving abhorrence of German criminality: "Is there any revenge in the world for the spilling of innocent blood? I doubt it. The abominations committed before our eyes cry out from the earth. ' But there is no jealous avenger. Why has a 'day of vengeance and retribution' not yet come 34 What Sort of Home Is the Past? for the murderers? Do not answer me with idle talk -1 won't listen to you.
And Edith share: - Stand up, F. Get your mouth off me. I'm pretending that you are someone else. -Who? - The waiter. - Which one? I demanded. - With the mustache and the raincoat. - I thought so, I thought so. - You noticed him, too, didn't you, F.? - Yes. (177) Soderlind is even more careful than Hutcheon to avoid invoking this interchange. She transcribes Edith's well-known utterance after the scene with Hitler, which, when translated from Greek, means "I am Isis, born of all things, both what is and what shall be, and no mortal has ever lifted my robe" (Soderlind 66).
A House of Words: Jewish Writing, Identity, and Memory by Norman Ravvin